By Jon Pareles - International Herald Tribune
Richard Wright, the keyboardist whose somber, monumental sounds were at the core of the art rock by Pink Floyd that has sold millions and millions of albums, died Monday in London, where he had lived. He was 65.
The cause was cancer, said his publicist, Claire Singers.
Wright was a founding member of Pink Floyd, and his spacious, enveloping keyboards, backing vocals and eerie effects were essential to its musical identity.
Though Syd Barrett and then Roger Waters wrote most of Pink Floyd's songs, Wright shares credit on the improvisatory psychedelic studio works the band composed collectively, and he sang a few lead vocals, including on "Astronomy Domine" from the band's debut album, "The Piper at the Gates of Dawn."
Wright was also sole songwriter on "The Great Gig in the Sky," a hymnlike track with a soaring, wordless female vocal at the center of "The Dark Side of the Moon," the 1973 Pink Floyd album that has sold some 40 million copies.
David Gilmour, Pink Floyd's guitarist and singer, said in a statement Monday: "In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten. He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognized Pink Floyd sound."
Wright was born in London in 1943 and taught himself to play keyboards, developing an early interest in jazz. He attended a school for haberdashers, then studied architecture at the Regent Street Polytechnic College.
With fellow students at Regent Street - Waters on guitar or bass and Nick Mason on drums - he started a group, at first playing American rhythm-and-blues songs. Barrett joined them in 1965, reshaping the music and naming the band The Pink Floyd Sound, after the U.S. bluesmen Pink Anderson and Floyd Council.
Barrett's whimsical, asymmetrical songs and the band's fondness for experimental sounds placed it at the center of London's underground psychedelic movement in the mid-1960s. "Music was our drug," Wright once said.
"The Piper at the Gates of Dawn" was released in 1967 and yielded pop hits in England, but LSD use and mental illness made Barrett so unstable that he left Pink Floyd in 1968.
Pink Floyd continued to thrive through the 1970s, and Wright released his first solo project, "Wet Dream," in 1978. Pink Floyd's 1979 album, "The Wall," eventually sold 23 million copies in the United States alone.
Waters, who had increasingly taken control of Pink Floyd, reportedly threatened not to release "The Wall" unless Wright resigned his full membership in the band. He does not appear on the band's 1983 album, "The Final Cut."
After that album, Waters left Pink Floyd. Amid lawsuits, Gilmour and Mason regrouped under the Pink Floyd name; Wright rejoined them for the 1987 album "A Momentary Lapse of Reason" and "The Division Bell" in 1994.
3-13-07
Top 200 'Definitive' albums
Last week, the National Association of Recording Merchandisers, which represents
more than 7,000 music stores in the United States, and the Rock and Roll Hall of
Fame put out the Definitive 200 list. It spans the past 50 years of modern
popular music, ranking the top 200 albums.
| Rank | Artist | Album Title | Release Date | Genre | ||||
| 1 | BEATLES | SGT. PEPPER'S LONELY HEARTS CLUB BAND | 1967 | Rock | ||||
| 2 | PINK FLOYD | DARK SIDE OF THE MOON | 1973 | Rock | ||||
| 3 | MICHAEL JACKSON | THRILLER | 1982 | Pop | ||||
| 4 | LED ZEPPELIN | LED ZEPPELIN IV | 1971 | Rock | ||||
| 5 | U2 | JOSHUA TREE | 1987 | Rock | ||||
| 6 | ROLLING STONES | EXILE ON MAIN STREET | 1972 | Rock | ||||
| 7 | CAROLE KING | TAPESTRY | 1971 | Adult Contemporary | ||||
| 8 | BOB DYLAN | HIGHWAY '61 REVISITED | 1965 | Rock | ||||
| 9 | BEACH BOYS | PET SOUNDS | 1966 | Rock | ||||
| 10 | NIRVANA | NEVERMIND | 1996 | Rock | ||||
| 11 | PEARL JAM | TEN | 1991 | Rock | ||||
| 12 | BEATLES | ABBEY ROAD | 1969 | Rock | ||||
| 13 | SANTANA | SUPERNATURAL | 1999 | Rock | ||||
| 14 | METALLICA | METALLICA | 1991 | Rock | ||||
| 15 | BRUCE SPRINGSTEEN | BORN TO RUN | 1984 | Rock | ||||
| 16 | PRINCE | PURPLE RAIN | 1984 | Pop | ||||
| 17 | AC/DC | BACK IN BLACK | 1980 | Rock | ||||
| 18 | ROLLING STONES | LET IT BLEED | 1969 | Rock | ||||
| 19 | DOORS | DOORS | 1967 | Rock | ||||
| 20 | GRATEFUL DEAD | AMERICAN BEAUTY | 1970 | Rock | ||||
| 21 | SHANIA TWAIN | COME ON OVER | 1997 | Country | ||||
| 22 | WHO | WHO'S NEXT | 1971 | Rock | ||||
| 23 | STEVIE WONDER | SONGS IN THE KEY OF LIFE | 1976 | R&B | ||||
| 24 | FLEETWOOD MAC | RUMOURS | 1977 | Pop | ||||
| 25 | PINK FLOYD | WALL | 1979 | Rock | ||||
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Pop | ||||
| 27 | NORAH JONES | COME AWAY WITH ME | 2002 | Pop | ||||
| 28 | EMINEM | MARSHALL MATHERS LP | 2000 | Rap | ||||
| 29 | OUTKAST | SPEAKERBOXX-LOVE BELOW | 2003 | R&B | ||||
| 30 | DR. DRE | CHRONIC | 1992 | Rap | ||||
| 31 | BEASTIE BOYS | LICENSED TO ILL | 1986 | Rap | ||||
| 32 | GUNS 'N ROSES | APPETITE FOR DESTRUCTION | 1987 | Rock | ||||
| 33 | DIXIE CHICKS | WIDE OPEN SPACES | 1998 | Country | ||||
| 34 | MILES DAVIS | KIND OF BLUE | 1959 | Jazz | ||||
| 35 | EAGLES | HOTEL CALIFORNIA | 1976 | Rock | ||||
| 36 | DEF LEPPARD | HYSTERIA | 1987 | Rock | ||||
| 37 | SOUNDTRACK | GREASE | 1978 | Soundtrack | ||||
| 38 | MARVIN GAYE | WHAT'S GOING ON | 1971 | R&B | ||||
| 39 | BEATLES | WHITE ALBUM | 1968 | Rock | ||||
| 40 | SOUNDTRACK | SATURDAY NIGHT FEVER | 1977 | Soundtrack | ||||
| 41 | JIMI HENDRIX | ARE YOU EXPERIENCED? | 1967 | Rock | ||||
| 42 | BEATLES | REVOLVER | 1966 | Rock | ||||
| 43 | BOSTON | BOSTON | 1976 | Rock | ||||
| 44 | BON JOVI | SLIPPERY WHEN WET | 1986 | Rock | ||||
| 45 | U2 | ACHTUNG BABY | 1991 | Rock | ||||
| 46 | WHITNEY HOUSTON | WHITNEY HOUSTON | 1985 | R&B | ||||
| 47 | LED ZEPPELIN | LED ZEPPELIN II | 1969 | Rock | ||||
| 48 | DAVE MATTHEWS BAND | CRASH | 1996 | Rock | ||||
| 49 | ROLLING STONES | STICKY FINGERS | 1971 | Rock | ||||
| 50 | GREEN DAY | DOOKIE | 1994 | Rock | ||||
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Rock | ||||
| 52 | JONI MITCHELL | BLUE | 1971 | Rock | ||||
| 53 | ELVIS PRESLEY | ELVIS PRESLEY AT SUN | 2004 | Rock | ||||
| 54 | AEROSMITH | TOYS IN THE ATTIC | 1975 | Rock | ||||
| 55 | LAURYN HILL | MISEDUCATION OF LAURYN HILL | 1998 | R&B | ||||
| 56 | BRUCE SPRINGSTEEN | BORN IN THE U.S.A. | 1984 | Rock | ||||
| 57 | 50 CENT | GET RICH OR DIE TRYIN' | 2003 | Rap | ||||
| 58 | AC/DC | HIGHWAY TO HELL | 1979 | Rock | ||||
| 59 | NOTORIOUS B.I.G. | LIFE AFTER DEATH | 1997 | Rap | ||||
| 60 | VAN HALEN | VAN HALEN | 1978 | Rock | ||||
| 61 | GREEN DAY | AMERICAN IDIOT | 2004 | Rock | ||||
| 62 | BLACK SABBATH | PARANOID | 1975 | Rock | ||||
| 63 | EMINEM | EMINEM SHOW | 2000 | Rap | ||||
| 64 | JEWEL | PIECES OF YOU | 1995 | Pop | ||||
| 65 | COLDPLAY | RUSH OF BLOOD TO THE HEAD | 2002 | Pop | ||||
| 66 | MEATLOAF | BAT OUT OF HELL | 1977 | Rock | ||||
| 67 | USHER | CONFESSIONS | 2004 | R&B | ||||
| 68 | KID ROCK | DEVIL WITHOUT A CAUSE | 1998 | Rock | ||||
| 69 | GEORGE HARRISON | ALL THINGS MUST PASS | 1970 | Pop | ||||
| 70 | BILLY JOEL | STRANGER | 1977 | Pop | ||||
| 71 | EAGLES | HELL FREEZES OVER | 1994 | Rock | ||||
| 72 | VAN MORRISON | MOONDANCE | 1970 | Rock | ||||
| 73 | REM | AUTOMATIC FOR THE PEOPLE | 1992 | Pop | ||||